Written by:
Mitchell Duncan
Jacob Gilbert-Mahoney
In the film
Edward Scissorhands, Johnny Depp plays the lead role of Edward
Scissorhands. His entire performance is
rather silent, as he only speaks 169 words throughout the entire film. There
are many themes throughout this particular movie, including romance, hatred and
fear. All of these incorporate into Depp’s character as an isolated
monstrosity. This antihero who dominantly speaks without speaking, can be very
powerful and influential to the viewer through his eyes. Once this secluded
character is finally brought into society he under goes a slow change as to
adapt to his new found home.
Johnny Depp
made many choices in the film that we make throughout our daily lives, the only
difference is that his isolation caused him to never develop his common sense
and difference between right and wrong. The more he stays within reality he
becomes more enabled to develop these traits. It does not come fast though,
half way through the film, he is tricked into robbing a house, is then
arrested, and soon after these events is neighbor Joyce enacts to seduce but is
rejected, causing to take revenge by claiming he tried to “rape” her. This
combined with the break in causes his former chums to turn their backs on him
along with Peg and her family.
The colors
of the people’s clothing, houses as well as cars contrast largely to Edward’s
costuming. While everyone and everything appears colorful and flashy, Edward’s
attire is of very black clothing, pale complexion, facial scars and crazy hair.
This was likely used to display Edward’s difficulty to blend with reality and
the people he is surrounded with. His attire also matches his disposition,
which is very different from the happy and out going personalities of the community
members. We find this very important because it displays the uniqueness of
Edward and the similarities of everyone in the small neighborhood. Costuming is
clearly very important in this motion picture because the actor can portray a
monstrosity as much as he wants but as long as he doesn’t look like one, the
full effect will not sink in to the audience. We thought this was well used
through the entirety of the screenplay as it matched well with the musical
score.
The
portrayal of his role uses many different techniques. The director uses
full-front position to help display his vulnerability and silence as a
character. His entire role is reprised through acting with his eyes. In
variation, Tim Burton (Director of the film) also uses the three-quarter turn
at the first reveal of Edward to make him appear hostile. As the plot evolves
this impression changes from a violent figure to a passion driven character.
This excellent use of camerawork and angling helps us the viewers understand
characters and plot in a deeper meaning.
To establish an effective use of mystery,
Burton uses many different techniques for lighting in the film. One example is
the use of low-key lighting at the first reveal of Edward. This particular form
of lighting is used to create a mysterious and somewhat ominous view of the
character. At first glance, you can only see Edward’s silhouette as he emerges
from the shadows, and revealing his Scissorhands. This helps create this
ominous feeling, exciting the viewer, and giving the deceiving sense Peg, for
example, felt in that instance. Another easy to spot lighting technique used in
this movie is backlighting. This is used most effectively during romantic
scenes. Tim Burton used this in Edward
Scissorhands when Kim realizes her feelings for Edward when she is dancing
in the “snow”(being shaved ice from Edward’s ice sculpture). In the background
you can see bright flashes of light around her even though this scene was shot
at night.
The film
still has its share of flaws to it despite its overall positive appeal. Kim’s
brother, Kevin, played by Robert Oliveri, plays a very small and rather
unimportant role throughout almost the entire film. The only major set piece he
plays is near the end of the film when Edward saves him but his actions have
the consequence of mistakenly cutting him. Also, at the films end, it is
revealed that the elderly woman speaking is Kim. She believes Edward is still
alive after all this time, because before he came down from the mansion there
was no snow, but once he did it began to snow. The film claims that the ice
sculptures he makes in his tower is used to make the snow, which falls on the
neighborhood below. The problem with this theory is how in the world did he
manage to get those ice blocks, and get them all the way to the top of the
mansion (Please comment below your theories on how he got them up there). Kim
claims that she never went back up to the mansion because she wants him to
remember her as she was when they were young. So that means hat Edward had to
remain completely self sufficient as he went back to his old life of isolation,
so how does he manage to get all that ice. This plot hole appears to be the
only major one, but it’s a pretty major one.
To
conclude, Edward Scissorhands is very
well a good classic movie. It teaches high moral values including not judging a
book by its cover. It’s symbolic, enjoyable, and delivers an outgoing message
to the audience. While it has its issues, ice sculptures and the protagonist
sometimes being over the top, it is understandable that Edward has to seclude
himself from society, thus having no common sense, but the only missing components
were his hands. Can’t he still portray emotions on some level rather than
evolving them when finally in society? It is easily a Tim Burton classic to be
preserved through the ages.
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